Yenan Forum On Literature And Art Pdf
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- About ”Talks at the Yenan Forum on Literature and Art”
- Yan'an Forum
- Yan'an Forum
- TALKS AT THE YENAN FORUM ON LITERATURE AND ART
We made only some formatting changes to make them congruent with our style sheets. The Kuomintang reactionaries pushed their policy of passivity in the war of resistance but active opposition against the Chinese Communist Party. On the one hand, they sent several hundred thousand troops to encircle and blockade the Liberated Areas, in a vain attempt to annihilate the army and people there, and on the other hand secretly had large numbers of troops surrended to the Japanese invaders who then directed these troops to attack revolutionary bases behind the enemy lines. The struggle between the two lines had always existed on the literary and art front.
About ”Talks at the Yenan Forum on Literature and Art”
Friday staff will provide a variety of activities, music and This class is designed for your entire family. I just don t want a job, but wish for a career to continue in future. Synchronic cultures have an entirely different perspective. A young architect ought to be made to build his own house first. Reznicek, Die Zeichnungen von Hendrick Goltzius 2 vols. Thanks to advances in the biobased lubricant technologies, lead to development of other lubricant and grease products that.
Art is a medium of expression where the individual and culture come together. What happens to the individual artist when culture becomes a tool of the government? How does politics impact art as an expression of the times? Can art and culture survive and overcome government repression? Following the rise of the communists to power in , all artists in China were compelled to adhere to the party line on art. Imprisoned and tortured by Red Guards in , he attempted to take his own life. Following the Maoist dictum of learning from the masses, Jin also required his students to go to the countryside and study local folk art with the peasants.
You have been invited to this forum today to exchange ideas and examine the relationship between work in the literary and artistic fields and revolutionary work in.
Access options available:. Foreign Language Press, Peking, Reviewed by :S. Subsequent thousands of artists have followed them and most modern revolutionaries have endeavored to claim this vital human enterprise for their cause.
TALKS AT THE YENAN FORUM ON LITERATURE AND ART
To defeat the enemy we must rely primarily on the army with guns. But this army alone is not enough; we must also have a cultural army, which is absolutely indispensable for uniting our own ranks and defeating the enemy. In other words, reactionaries have money, and though they can produce nothing good, they can go all out and produce in quantity. Literature and art have been an important and successful part of the cultural front since the May 4th Movement. That movement and the revolutionary war both headed in the same general direction, but these two fraternal armies were not linked together in their practical work because the reactionaries had cut them off from each other.
You have been invited to this forum today to exchange ideas and examine the relationship between work in the literary and artistic fields and revolutionary work in general. Our aim is to ensure that revolutionary literature and art follow the correct path of development and provide better help to other revolutionary work in facilitating the overthrow of our national enemy and the accomplishment of the task of national liberation. In our struggle for the liberation of the Chinese people there are various fronts, among which there are the fronts of the pen and of the gun, the cultural and the military fronts. To defeat the enemy we must rely primarily on the army with guns. But this army alone is not enough; we must also have a cultural army, which is absolutely indispensable for uniting our own ranks and defeating the enemy. Since the May 4th Movement such a cultural army has taken shape in China, and it has helped the Chinese revolution, gradually reduced the domain of China's feudal culture and of the comprador culture which serves imperialist aggression, and weakened their influence. To oppose the new culture the Chinese reactionaries can now only "pit quantity against quality".
Talks at the Yenan Forum on Literature and Art. GO Type: Text; Format: application/pdf; Set: e-Asia Digital Library; Is Part Of: Selected Works of Mao Tse-tung.
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The two main points were that 1 all art should reflect the life of the working class and consider them as an audience, and 2 that art should serve politics, and specifically the advancement of socialism. The excesses of the latter point during the Cultural Revolution led to current Party policy rejecting that point, but retaining Mao's encouragement of peasant-focused art and literature. During the Long March , the Communist Party and People's Liberation Army used song, drama, and dance to appeal to the civilian population, but did not have a unified cultural policy. In , Mao issued a policy statement in his tract, "On New Democracy": "The content of China's new culture at the present stage is During the Yan'an Rectification Movement , the Party used various methods to consolidate ideological unity among cadres around Maoism as opposed to Soviet-style Marxism—Leninism. The immediate spur to the Yan'an talks was a request by a concerned writer for Mao Zedong to clarify the ambiguous role of intellectuals in the Communist movement. This revolutionary style of art would portray the lives of peasants and be directed towards them as an audience.
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